Thank you! Process involves shooting a range of images in the field (generally more than I need), then merging them in either Photoshop or a tool like Helicon Focus. I then select the edge shots (where I’d like the focus to begin and end), and then selectively edit and/or remove shots from the stack; perhaps the wind moved the subject a bit, or a bug entered shot. Following that is my usual RAW processing regime, which varies from shot to shot.