This makes me sound like a total wanker but I reread my favorite Charles Dickens and Jane Austen. I find them both very comforting because generally nice people end up happy in the end.
Definitely with you there on Jane Austen. I like that ultimately everyone gets married and is happy (even if that’s not my idea of a happy ending necessarily)
I’m reading “Fred The Vampire Accountant” series right now, and it’s fabulous. You’re not going to expand your horizons and intellect with these, but they’re very fun to read. Almost always a happy ending, and the group of characters is always growing. It’s like a Hardy Boys & Nancy Drew for adults, but the main character is a vampire.
I had written a reply but the site went down and ate it!
I read almost exclusive sci fi but when I feel like something else I really enjoy something like Steve Berry’s Cotton Malone books or Dan Brown’s Langdon books.
I love getting sweeped away in modern day indiana jones like stories about secret societies, myths and historical facts intertwined with fiction.
Extra credit to Berry for always ending his books by telling you what was real and what he embellished.
Virgil’s Aenead was overtly fictionalized; it was basically an alternate history version of Homer’s work, that inserted Roman characters and themes to recast the story as foundational to the Roman republic.
Modern genres don’t really apply to ancient literature. Mythical, historical, symbolic and real are mixed and you’re expected to be reading or listening to the literature from within the tradition which would give you the context for knowing which is which.
Beowulf is myth, but also history. It has references and genealogy to real figures, but it is embedded within a myth that records the meaning of that history. It’s full of symbolic retelling of that history.
Narrow, literalist readings of Jewish writings collected in the Ketuvim (Writings) section of the Tanakh (Torah, Nevi’im, Ketuvim) fit that.
There wasn’t a hard distinction between learning and leisure like we pretend there is today. A story could have a kernel of historical truth, or perhaps a lot, or none at all; convey important truths about society, the world and our place in it; and be told dramatically to capture attention (ie entertaining) so listeners pay attention to those truths and remember them in difficult situations.
Jewish tradition is to look for 4 levels of meaning in a text, including allegorical and hidden meanings as well as the general plot. Even those who believe the surface level as literally true spend most of their time working with interpretation, what lessons we can learn from the stories.
Then along comes a Greek proselytiser who insisted the particular salvation religion he followed was literally True and therefore better than other salvation religions. And that literalness got read back into a different people’s texts, came to be seen by most of the world as the only way to read them and here we are today.
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