I hope that the series finale is satisfying, too. Jonathan Frakes and Olatunde Osunsanmi as directors of it is a good sign. Jonathan Frakes + Star Trek = awesome. I enjoy a lot of Olatunde Osunsanmi’s Star Trek work as a director, including one of my favored DSC episodes, “What’s Past Is Prologue” (s1e13). That episode has everything. Action, drama, pathos. I love Saru’s delivery of, “That is all I needed to see. Fire!” Fabulous spark igniting the action of that scene. I enjoy DSC.
It had its flaws (namely in its pacing: too much talking about feelings and reasons instead of just showing them, but lazy writing is a general problem of our time), but I truly enjoyed the characters and the story.
@porthos@billmason Well DIS started a ST revival. Maybe without DIS PIC, LD and finally SNW wouldn't exist. The biggest problem DIS had IMHO, was the weird licensing situation, when DIS was developed. Basically the same Problem the Kelvin-Timeline movies had. It should look like star trek, but not too similar. Because this, DIS felt a little bite alien towards old ST fans. The biggest issue DIS had, is bad story writing aka character development. They were all crushed by the messias Burnham.
@deafmutex@porthos@startrek Discovery did not have a licensing issue. It was under the auspices of CBS Studios, which had all the rights to all television Star Trek properties at that point.
@deafmutex@porthos@startrek Yes, the right to the first 10 movies at that point belonged to Viacom, who made them under license from CBS. But that's neither here or there to what Discovery was doing.