The problem I have with the new shows is that they all feel acted, designed and written like American advertisements or stock videos. It’s hard to describe, but everything is glossy, polished and corporate-designed, and people never act or speak like the people I know in real life; they act and speak like influencers, vloggers and YouTube personalities. It’s eerie and I cannot immerse myself at all. It’s too clean, too bright, not industrial or lived in enough. Even the “relatable” scenes just remind me of what an upper class hipster writer in a glass-front writing room thinks is relatable.
The people and sets on DS9 felt so real, so tangible, so relatable. The episode with Bashir’s parents comes to mind where the interaction between Julian and them was so gut-punchingly accurate to a regular immigrant working class family. The relationship between Ben and Jake. The entire character of Miles. The people in new Trek feel fake, like a Hollywood writer’s idea of a regular person. The politics in DS9 felt genuinely radical, in new Trek they feel shoe-horned in out of an obligation to be progressive with no meat behind it at all, just to market to a target demographic.
Maybe it is because I am European, but DSC/SNW/PIC just feel SO incredibly American. Like Alegria art.
I’ve noticed that the movie and t.v. industry will not tolerate a static shot. They must always be moving the camera around for no apparent reason. Sometimes they just use a jumpcut every half second or so.
I’m not sure if they think it holds the audiences attention better, but I find it extremely distracting and annoying. Maybe I’ve gotten used to static shots from watching real people do real things on YouTube or whatever. It’s like trying to watch a scene on a ship in a storm with these scenes sometimes.
It’s definitely an industry change. Frakes has talked about how when he directs an episode now, the show’s director of photography tells him to keep the camera moving.
I will say that older Startrek episodes did have the soap opera feel. My guess is that they’re trying to avoid looking like a soap opera. To me that means audio as well as visual. They mix soap operas in the lower range at a higher volume for older audiences, cutting out the higher vocal range. It makes it sound like they’re in a closet or something.
I’ve seen some things about viewer retention on YouTube when there is movement like this. It keeps us interested overall. Perhaps it’s similar to monotone voices not being great at keeping our attention.
You’re not wrong, but that’s why I like it. Before I get in to that.
Discovery had some good moments and some good acting but was overall a mess.
Picard was like someone gave a big budget to a fanfic and said “I’m not taking any notes.” When a bunch of good actors turn in a lousy performances you know the whole thing is broken.
Lower Decks is just all around fun and I really like it.
Back to your statement. I (American) grew up on TOS reruns in the late 70s. I watched old movies and TV shows that had the American 50s optimism for the bright shiny future, but in the late 70s it felt like we’d failed not just economically but more importantly socially. Trek showed a better possible future where we’d solved our problems and learned to work together. It had the 50s optimism for tech and the 60s lessons in social justice. Gene’s vision (and he was by no means perfect himself) was that humanity had solved its problems and that serious conflict had to be external. We were still humans with loves, losses, and petty squabbles but we didn’t have hatred for our fellow man. But we were still working to be better at accepting everyone. Kind of a throwaway but a great example is Boimler the snotty ensign telling legendary Captain Pike it’s kind of offensive to assume all Orions are pirates.
SNW has been a combination of goofy fun, serious topics, and gut-punches like Lift Us Up Where Suffering Cannot Reach.
I still loved DS9 but it strayed away from the vision a lot. I especially hated the parallel universe bullshit which really undermined the point of the original episode. And it gave my conservative friends license to say, look if we’re not tough we’ll get rolled over and be the underclass. Either be the Terran Empire or be slave. I reject that.
I’m tired of gritty dark Trek. Especially in these times where the future doesn’t look good I want to see a shiny happy future where we overcome the challenges by being smart and cooperative. The sets are bright and polished and everyone is fit but the characters actually feel more like real people to me than TNG. I love that we got to watch Uhura’s progression from scared cadet to confident at her job for example.
But that’s just the thing. I too like utopia, but I want a believable utopia, not a Starbucks upper class version of what they think is “yass relatable”. I thought DS9 was actually a wonderfully utopian show because it showed that despite incredible hardship, people can still overtake their circumstances and keep a level head, good relationships and a just society. It was authentic to what I as a working class person experience, to what my life is; just an idealized version of it where others and society as a whole share my ideals and ethical standpoints. New Trek on the other hand tries so hard to appeal to progressive politics but fails at realizing the actual authentic circumstances of the working class and instead makes it into some kind of “Eurovision” or “Oscars”-ish upper class atmosphere thing. The recent musical episode was even more insulting in its “what rich people think is fun”-ness.
Now that you mentioned it, I hate that they stopped talking about “duty” and started talking about “work” or a “job”. It’s not supposed to be labour! That’s the entire point of a utopia! Why does everyone treat their Starfleet career like an employment contract with annoying bosses and all? The Lieutenant next to me is my comrade, not my “coworker”. Do they think it becomes relatable because they - in this utopia - still deal with the socialized equivalent of wage labour?
Everything in SNW/DSC/PIC looks, feels and sounds like a Marvel movie with unfunny quips and one-liners, or an advertisement at worst. They speak like the Microsoft boss does when he talks about Xbox - “millions of players all over the world come together to celebrate these incredible, amazing worlds that our people have created for you to express yourselves in” - it’s just marketing talk. It feels incredibly, incredibly sterile and corporate, but when DSC/SNW/PIC characters talk about Starfleet or the Federation, they sound exactly like that. The characters look like Hollywood actors, especially Pike; not like people I know in real life. Miles O’Brien could have been in my local pub; Pike looks and acts like someone who lives in a Californian villa and socializes with Jeffrey Epstein.
Star Trek has turned from union shop working class entertainment to rich white Americans’ entertainment. I do not like that one bit. And it’s not like I hate everything new. I thought Lower Decks was really enjoyable outside of a few stinkers, and I keep reading the novels.
We might have to agree to disagree on the overall look of the thing, but I want to comment on the job part.
It’s always been a bit of a disconnect that you supposedly had this post-scarcity, socialistic, utopia where we have overcome our baser instincts and work cooperatively. But for some reason the dominant organization has military ranks and some people agree to sign-up to take orders and get thrown in jail if they don’t. That never quite squared. But in the real world it’s a simple matter of writing what you know and Gene was ex-Navy so that’s what Starfleet was modeled on. Doesn’t really make sense. It’s also why admirals are so often bad. He had a beef with them.
But yeah I agree I like it better when they talk about their places in Starfleet being a matter of choosing to be a part of it and it being bound by honor and duty. I don’t know why they’re doing that, if it’s supposed to be earlier in the development of the Federation, or if they’re just copying the Orville jokes. I do really like is Una. A lot of that is I always felt robbed by the fact that the network made Gene cut out the idea of a woman first officer after the first pilot and I feel like we’re finally getting to see what could have been with Majel in that role.
When I wrote the above I had not seen the musical yet. It was well-produced and fun, but I think it really undercut the show and I didn’t like it. It made the characters seem silly. Contrast with the Lower Decks crossover which I thought I was going to hate and I thought actually worked fine if you could ignore the cartoon thing. I didn’t mind that it was played for outright comedy because it still took the characters seriously. Much like the DS9 Tribbles episode.
I do think DS9 was great by the way, with a few exceptions, mostly the mirror universe stuff. And Miles calmly encouraging the Ferengi to go on strike because of course that’s what you do, was maybe one of the most subversive things Trek has gotten away with on TV. American media loves to hate on unions so that was a bolder than you might realize and I loved it.
I’m a bit older than you and gotta disagree one one point. The 50s was NOT an optomistic time for American SciFi. With the exception of “Forbidden Planet”, which heavily influenced TOS, 50s SciFi was dominated by paranoia, repression & fatalism. There were monsters under every rock. Our inability to control ourselves and our technology was dooming our future. The early 60s TOS was an optomistic breath of fresh air. Maybe we wouldn’t blow ourselves up after all