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frog ,

“Alice closed her eyes and sighed, savoring the moment before reality came back crashing down on them like the weight of an elephant sitting on them both while being eaten by a shark in an airplane full of ninjas puking out their eyes and blood for no apparent reason other than that they were ninjas who liked puke so much they couldn’t help themselves from spewing it out of their orifices at every opportunity.”

So the dataset included a lot of fanfiction then?

Your Sci-Fi suggestions

I haven’t had any luck in finding sci-fi books recently. I’m looking for a longer story that takes its time to establish the world/universe and the characters living in it. I like the idea of exploring space or futuristic cities/landscapes and being on a journey together with the protagonist. The story doesn’t have to have...

frog ,

You might enjoy Larry Niven’s “Known Space” series? It’s less one long story than many, many stories (some more interconnected than others) set in the same universe, but there’s a lot of it. Some stories are darker than others, but overall the tone is optimistic and the characters have their flaws but don’t suffer from the “stumbling from one flawed decision to the next one” problem.

I suspect some of the stories won’t have aged well, given some of them were written over 50 years ago, but Niven plays with a lot of interesting ideas, and I have never encountered a sci-fi author that writes genuinely alien aliens the way he does. There’s also lots of exploring space, futuristic cities, and alien landscapes.

frog ,

I tend to agree with this. Why not have multiple editions of a book available, one that is the original and the other that has received some edits to reflect modern values?

I’ve been reading HP Lovecraft recently. A lot of his stories are horrendously racist, and I’ve found that more uncomfortable to read than the actual horror. I’d have quite happily purchased a version (rather than downloading a free ebook) that had received a light touch of editing, of the kind that removed the racist slurs while keeping everything else intact. I genuinely can’t see that the actual story or vibes of “The Rats in the Walls” would have been any different if the cat had a different name.

I also find it bizarre how many people get pissy about sensitivity readers being “censorship”, while also insisting that editors are absolutely essential to making a book as good as it can be. Surely if a sensitivity reader is “censoring” a book by giving some suggestions (not orders or demands) on how to make a book better, then an editor is also “censoring” a book when they do the exact same thing? The truth is authors have always had fellow authors, beta readers and editors who read their work, react to it, and give suggestions on how to improve it. A wise author should seek out feedback, and getting feedback from people who actually know the subject matter is pretty damned valuable.

frog ,

I actually think the stories would be stronger without the racial elements, because a common theme in many of the stories I’ve read so far (bearing in mind I’ve only read about 25% so far) has been the discovery of something hideous and bestial within the human. I’ve actually not interpreted the horror as being exclusively about race, because Lovecraft assumes all characters are white unless explicitly stated otherwise (as most authors do), and ghastly heritage is not reserved only for the non-white characters. I suppose one could argue that it’s intended to be a metaphor for discovering that one’s “bloodline” isn’t as pure as they believe (I wonder if Lovecraft had, or feared he had, non-white ancestors?), and that’s where the racial horror comes into it.

The interesting thing is that so many of the stories I’ve read so far don’t even mention race (except in passing), which makes racism stand out even more in the stories it suddenly appears in. The “what if we aren’t who we think we are?” and “what knowledge would drive us mad if we learned it?” themes stand just fine on their own in the stories where race isn’t mentioned; and these themes would be maintained if the racist slurs were edited out of other stories. Lovecraft’s horror is cosmic and existential, and is more so when presented as racially neutral, because it leaves all humans equally powerless in the face of the unnameable.

shrugs That’s just my interpretation, anyway, which is of course 100% subjective. I may change my mind when I get to Lovecraft’s later works. The dude is absolutely an awful racist, and my experience with bigots is they become more extreme, and less cautious about hiding their hatred, as time goes on. So we’ll see. But as it stands, the stories I’ve read so far would not change significantly if the racism was removed, and they’d be better reads without that enormous distraction.

frog ,

Although shootings and the like are not a problem in the UK, when I went back into education this year at a “further education college” (which differs from college as it’s meant in the US - this is an institution that provides education for those aged 16+, so includes both minors and adults), we nevertheless had occasional drills for what to do in the event of a shooting or other attack. I think it’s not as comprehensive as the preparations students in American schools need to make, but it was still something the college prepared for with the same regularity as the potential for evacuation during a fire.

So even in non-US developed nations, the potential for this kind of violence is acknowledged as a risk.

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