I’m not an accountant. My understanding is that streaming companies are using accounting alchemy with write-downs to bump up what’s in the profit category for a quarter. A streaming program getting this treatment disappears from the streaming platform. The studio chooses to take a quick on paper profit now, rather than continue to carry a show for a possible profit later. Viewers are left in the lurch – the show(s) they enjoyed or intended to watch are gone. And creators are hung out to dry, as the programs they created and worked on are not only gone from the streaming service, but may never be seen again. Prodigy has the advantage of a vocal fan base. Many shows might never gain an audience because there is no longer any way to see them.
It’s convoluted and stupid, but running your streaming service as a separate entity is how all the studios have it rigged up. Accounting ftw
Convoluted, indeed. At this point, Paramount+ has zero say in Prodigy. Maybe Paramount+ even mentioning the existence of Prodigy might mess up their write-off (I’m saying this with zero sympathy for the “creative” accounting, just to be clear). I have no idea where Nickelodeon even factors in the Prodigy rights situation. Paramount allowed a sneak peek at Prodigy season 2, episode 1 before, WOW - Prodigy Second Season Sneak Peek!. All in all, a very frustrating situation. It seems the best we can do is keep Prodigy’s name alive online and in letters.
It is nice to see Discovery, and my favorites of the recent Star Treks – PIC and LD, getting some love. Paramount continuing to pretend that there is no such thing as Prodigy is annoying. Prodigy is not my cup of tea, but I support other Star Trek fans who enjoy the show.
Agree. Agree. Agree. There is so much goodness in this episode. And, so much quotable material. Dr. T’Ana is becoming my favorite Star Trek doctor. Love her attitude. I laughed so hard when Dirk sicced Lancelot the ferret on Rutherford that I started coughing. Lower Decks! Lower Decks!
“Twovix.” Love it. From Jack’s advice to Shax at the start through the end, I enjoy this episode. Voyager becoming a museum was a great way to cram a lot of VOY escapades into an episode. I’m going to miss Mariner’s, Boimler’s, Tendi’s, and Rutherford’s time together in their hallway bunks, but the promotions are well deserved and bound to happen. I think T’Lyn is a great addition. The ending though, oh, no. Not Ma’ah and the Che’Ta’! I’m betting their demise (seeming? seems likely?) is because of William Boimler or Badgey. Maybe both of them. Keep in mind I’m terrible at guessing.
“I Have No Bones Yet I Must Flee.” Also love it. First and foremost, yes, I, a grown woman, want a Moopsy plush. Preferably one that says, “moopsy.” I was wondering if Mariner’s being promoted would go smoothly, and I was not disappointed with how it played out. For all his goofiness, I think Ransom is a great commanding officer. I’m pretty meh on the potential of Rutherford and Livik being adversaries. It seems out of character for Rutherford. But, LD continues to pleasantly surprise me, so I’m keeping an open mind. Boimler’s tribulations with his new quarters were funny, and very Boimler. With what happened to the Romulan ship at the beginning of the episode, I’m wondering if the whatever it is will take out a different ship every episode this season.
I think this one is better than the last one, but that’s a very low bar to clear. The animation is done well in TAS style. This episode is like a Saturday Night Live skit that falls flat. Not innovative, just tepid. I’ve now learned to temper my expectations for the rest of the Very Short Treks.
I’m hoping Very Short Treks started with their weakest showing. Who okayed this? I’m imagining someone who when asked what their favorite part of Star Trek is, responds, “the lightsabers and the Wookies.” How else would the not at all representative of Star Trek whinge, “omg, I can’t say anything without offending someone!,” get put on repeat for nearly the entirety of the short. Except by someone who is clueless about Star Trek. And then ending with the Captain getting his imaginary girlfriend wish fulfilled. What the hell did I just write. What the hell did I just watch.
I just watched it. It was a nice bit of Star Trek-ness. I was shouting out answers to Jackie Cox’ questions to passerbys. And, now I want an outfit like Jackie Cox wore – sequins and Star Trek.
I’m glad this scene was omitted. I think that it starts as a “beautiful little moment,” but then it just goes off the rails. I thought it would be about Worf reconciling his Earth upbringing with his Klingon heritage, finding a balance that suited him, or something along that line. Nope. Using killing a random woman (or anyone) as a plot point. Always tiresome, and very not Worf.
“We have always believed that The Wrath of Khan is the fulcrum movie upon which Star Trek turned.”
I think that this cannot be overstated. TMP did not get the reception, recognition, and bucket loads of money, the studio was banking on. It no doubt took a lot of work, and luck, to get the studio to back a second Star Trek film, even with its much lower budget. There are many reasons we have the current choices of Star Trek series and movies, but I don’t underestimate how vital TWoK’s success is with the situation. This sounds like a fascinating book, and is definitely on my “I want” list.
No worries. You regularly comment and post on a variety of topics, always with a steady and non-antagonistic viewpoint. This situation is very, “it’s not you, it’s me.” I have relatives from the southern U.S., and they shorten “passed away” to just “passed.” It’s just what I’m used to hearing.
I love this scene! I think they all nailed it. Wilson Cruz’ delivery, posture, head tilt, everything for, "Did you just call me ‘Papi?’ " is wonderful. I’m loving the Georgiou quotes, too.
