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StillPaisleyCat

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StillPaisleyCat ,
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Animated television writers are in another guild, one that signed a new contract over a year ago. Neither the WGA or SAG-ACTRA strikes have impacted them.

James McKinnon confirms creative differences likely a factor in Kelvin 4 failure to start production in 2022 ( trekmovie.com )

As much as most of us have long had any remaining interest in a fourth Kelvin movie long exhausted by the endless repetition of hype and failure, there does seem to be more confirmation of significant creative differences on the script that was in development in 2022....

StillPaisleyCat ,
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I was really impressed by that. Really felt it belonged on a cinematic feature.

Paramount+ confirms series order for 'Starfleet Academy' ( www.startrek.com )

While there was an announcement shortly before the WGA strike, and Alex Kurtzman confirmed the writers room is back up and at work during an NYCC panel, Paramount+ is moving forward on promotional information about the forthcoming new ‘Starfleet Academy’ show....

StillPaisleyCat OP ,
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It’s not going to be a 24th or 25th century show… but as others have said, perhaps Boothby was a near immortal like Pelia or Guinan.

StillPaisleyCat OP ,
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Space-themed media saturation? It’s an entire genre.

StillPaisleyCat OP , (edited )
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We don’t know what be developed or not for the 25th century, but getting a new show developed and greenlit by Paramount is a long haul, and if they don’t like the initial draft pilots, they’ll keep at it.

Starfleet Academy has been in development as a show since at least 2018, with several changes of leadership in the team of creators. The original idea goes back decades to Harve Bennett. It’s finally got through the maze, let’s cheer that.

So, even if the senior executives are open and enthusiastic about an Enterprise G show:

  • don’t expect a formal greenlight announcement in less than a year after Picard S3’s finale (which is how long it took for SNW) and then another year to 18 months for production and post;
  • don’t assume that there won’t be major reworkings and/or changes in prospective showrunners from initial indications (as there was with Michelle Yeoh’s S31 which also changed showrunners),

Here’s some positive points towards Starfleet Academy

  • most fans were super sceptical about both Lower Decks & Prodigy but they are both well loved across generations;
  • “reopening the Academy after a hundred years” strongly implies this is in the 32nd century, post Burn, with a cast of largely new characters. Yes, we may see Tilly, some of the Discovery officers or (hopefully) David Cronenberg back as the mysterious Kovich, but that won’t be the principal cast of cadets;
  • the EP and coshowrunner Noga Landau was a senior writer with Henry Alfonso Myers on The Magicians. Yes, she took over running Nancy Drew for CBS Studios for the CW, but that was better rated when she did, and better than the usual CW teen targeted shows.
  • the other creator, and writer of the greenlit pilot was the head writer of the thriller Absentia (which has good ratings)
  • Tawny Newsome is a writer in the writers room.

So new time period, new characters, new team that has done good work for the target demographic. I’m hopeful.

StillPaisleyCat ,
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Both are established and solid Treklit authors.

I find it interesting that Simon & Schuster is back to contracting new tie-in novels within the existing timeline of classic Trek shows.

StillPaisleyCat OP ,
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IDIC … there are many of us who are keen to see where she went after she walked back through the Guardian of Forever’s time portal in Discovery S3.

https://startrek.website/pictrs/image/e421482f-d74d-4104-bc47-f8652e011c6d.jpeg

Episode Discussion | Star Trek: Lower Decks | 4x09 "The Inner Fight"

LoglineWho knows? They never released one. Edit: They finally released one - how novel to release the actual episode first! Captain Freeman assigns the Lower Deckers an overly safe mission to try and keep a self-destructive Mariner out of danger....

StillPaisleyCat ,
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It’s not an urban myth at all that Tom Paris was a renaming of Nick Locarno.

Kirsten Beyer (now a senior producer in the Secret Hideout shows) verified this point with Jeri Taylor (creator of Voyager) back when Kirsten was writing the Voyager Full Circle Treklit books. It’s covered in an afterward. Doubt that would have been cleared for publication if not true.

That said, whatever the meta situation, onscreen canon can be whatever the current EPs want. So, I’m curious where they’ve decided to take this.

StillPaisleyCat ,
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Secret information is shared on a need to to basis, not as background on a visiting officer.

She may absolutely know this.

StillPaisleyCat ,
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I’m liking the new John Eaves design (for June?).

It looks like a quantum slipstream design, very close to Mark Rademaker’s Vesta-class USS Aventine but with a less elongated saucer section.

Interesting.

StillPaisleyCat OP ,
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Appreciated.

StillPaisleyCat OP ,
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Answering myself - as I ordered this and now have my own copy.

Titanbooks is being as non-transparent as possible.

— the copy on the back cover says “Includes original fiction by …”

— the publication details on the back of the title page do not mention any of the stories having been previously published in the magazine.

However, the typesetting and layout is exactly that as in the magazine.

One would have to know a particular story from a particular magazine issue to confirm whether it was previously published.

StillPaisleyCat ,
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There are some super rare elements, structures and materials that cannot be replicated.

These unreplicatable ones become the most valuable. Likewise, the value of original or unique sentient-being created artifacts.

Conversely, the value of things that can be replicated is effectively reduced to the energy cost, give or take transportation costs for items that can only be replicated in large industrial replicators.

Energy cost becomes the key value. Not a problem generally, but in a constrained environment like a starship at maximum warp over long periods (e.g., Voyager’s first years in the Delta Quadrant), it can require rationing of replicator usage. (Holodeck had a separate and incompatible power source.)

The most widely known example of an element that can’t be replicated is latinum, which replaced gold as a measure of value. Gold is replicatable but latinum is not.

Other examples include dilithium crystals needed to regulate warp core reactions and benamite crystals needed for the quantum slipstream drive.

Some materials that cannot be replicated in the 23rd century can be otherwise created in the 24th century. The technology progresses through time in-universe.

I believe there was a post or file at the old place that listed all the canonically identified unreplicatable materials. It might be one to bring forward to c/DaystromInstitute. @khaosworks can you weigh in please?

StillPaisleyCat ,
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I really liked this and found it sweet.

As others have said, we haven’t seen many of these kind of recounting experiences episodes, but in this transition season it feels like we’re owed one.

While we could have just seen more of the main four leading others in B & C plots, this allowed them and us to take stock of their progress as leaders - except Tendi, but I think we saw a different angle on leadership from her on Orion.

StillPaisleyCat ,
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More like 18 months.

It would have been a year had the third season gone into production May 2nd as originally scheduled. But with production on hold until the actors contract is settled, and a year for post after, we’ll be lucky to see it in late 2024.

StillPaisleyCat ,
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I hadn’t considered Pelia still being alive, but it’s a cool idea.

They could even do a story arc with the cadets joining Kovich and other familiar faces in tracking her down. Bryce and Reno, both engineers, would have certainly had her as a prof at the Academy. Might be a great season two story once Pelia’s moved on from SNW.

StillPaisleyCat ,
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There was a court case over this. The court found that it wasn’t true that DS9 was based on Stryczynski’s pitch.

I was at a con in the early 90s shortly after DS9 had its first season. Rick Sternbach came out. He did an entire slide show of all the production design evidence they’d submitted to the court. They’d working on developing models for a space station for a show for a long time before. He had huge numbers of drawings. The big thing was the decision to switch from a Federation built mushroom shaped station to an alien design.

StillPaisleyCat OP ,
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Always an important reminder.

More Star Trek is good, & like Lower Decks and Prodigy, which are also designed to appeal to different, younger audiences, the old fans might just find they love them too.

Many of the old TOS fans were unbearably resistant to anything but the original crew and ship, even though movies were being made about them. (They had done the same thing when TAS was in development.) It was really difficult to come to a convention between 1987 and 1990 as a TNG fan.

StillPaisleyCat OP ,
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Not every Star Trek show needs to be made for you or your (our) age group. We need new shows to appeal to younger viewers and keep the franchise fresh.

I’m an old thing who watched TOS in first run in my primary grades. I have absolutely zero patience with the position you’re taking. I watch it all and don’t need to see people my age as the principal characters anymore than I did when I was six.

Shows aren’t made for the mass audience anymore, and even TNG was a bit beyond our kids when they became franchise fans as middle graders. They loved watching Voyager reruns though, demonstrating to me why it was the most successful Trek show on Netflix.

StillPaisleyCat OP ,
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Gaia Violo who wrote the pilot and is coexecutive producer was co-creator and senior writer on the thriller ‘Absentia.’

Noga Landau (sharing showrunner credit with Kurtzman) worked as a senior writer with Henry Alonso Myers (coshowrunner of SNW) when he was the showrunner of The Magicians. Then she went on to write the became showrunner of recent Nancy Drew show, giving it some supernatural vibes and storylines.

So, with those two, I was expecting a more mysterious, even thrillerish. Putting Tawny Newsome in the room will definitely lighten it up somewhat.

If Discovery is any benchmark, once the show is in production, Kurtzman will leave the day to day show running to Landau and whomever will be the supervising director EP in Toronto. He’ll review and approve scripts and be more involved in post.

At this point one has to question whether Paramount is unwilling to have women showrunners take the helm on their own. Kim and Lippoldt ended up having a guy tacked on as a 3rd coshowrunner for S31, then with all the delays, they moved on to run things successfully on their own at Netflix with ‘Sweet Tooth.’

StillPaisleyCat ,
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Lowest rate by whom?

We shouldn’t let brigading fans who just can’t bear the idea of a musical episode spoil it for the rest of us.

When there’s a weird spike at the 1/10 on IMDb, it’s clear that it’s a campaign of gatekeepers not an assessment of any validity.

StillPaisleyCat , (edited )
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Just pointing out that any & all of these dates may have slipped due to temporal incursions in the Prime timeline by Romulans and others.

Temporal War leaves its artifacts in terms of non critical deviations - the river of the Prime timeline is very resilient. They key events will happen give or take a few decades.

StillPaisleyCat ,
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LOL

So far, all the slippage of major events has been downstream - Eugenics war and WW3 moved back from late 20th century to mid 21st century.

But who knows, could the Romulans inadvertently move something forward.

StillPaisleyCat OP ,
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You know that is my own daft mess. Didn’t check the article date last week when it arrived fresh and new in my feed with 1 day old stamp.

Thanks for the catch, and hey perhaps there’s some Shatner fans that missed this when it was released.

StillPaisleyCat ,
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This instance and community it doing well, but is far from the half million base on the old place.

The mods have been really positive towards establishing new communities as volumes pick up. Many of us would like to see the one for Treklit (books and comics) split of, but we just don’t have the numbers to make those kinds of communities viable yet.

Also, there’s really benefits to a crosscutting discussion. Things are civil enough here that it’s working.

We see a lot of people here finally becoming persuaded to give shows they’d passed on a try, including Lower Decks.

StillPaisleyCat ,
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Actually there’s both metric evidence and statements by senior Netflix executives that a show has to do well in the first few weeks to be renewed.

They’re also very committed to their drop it all at once, or at most in 2 parts per season.

So it creates an environment where shows are rarely renewed unless they are top of the streaming charts.

They may have a different decision criteria for kid and family shows though.

StillPaisleyCat ,
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Weird that it’s excluded in Canada - since it won’t be streaming on Crave as well as broadcast on CTV Sci-fi.

Up to now, Netflix has been able to get the streaming rights to CTV Sci-Fi Channel shows if Crave doesn’t take the complementary streaming portion of the Canadian market.

StillPaisleyCat ,
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I’m not seeing the coming in 2024 notice on my Netflix in Canada nor the option to be reminded when it’s released.

CTV’s app is still showing all 20 episodes of Prodigy season one listed as available for CTV Sci-fi Channel subscribers.

StillPaisleyCat OP ,
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Paramount and WB, unlike Disney, never gave up on releasing physical media.

It was a billion dollar business in 2021 despite ideas that it’s dying out, and the advent of 4k releases is boosting that.

I saw an article in the metrics industry press last year saying that it was a major source of revenue for both, one that doesn’t get sufficiently taken into account on metrics for movies or television (whether originally linear or streaming) when making greenlight decisions.

Paramount Home Entertainment is a significant revenue generator and seems to know its marketing. Perhaps the people at the top of the firm should take them more into account.

StillPaisleyCat ,
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Pondering…🤔

If they are giving a special showing of Lower Decks S4E8 at NYCC, will it get the early release on Paramount+ and appear as a ‘special event on CTV Sci-Fi Channel?

Also, if they are promoting ‘news for Star Trek fans in attendance’, what do we hope to see?

  • release of Discovery S5 new trailer?
  • news on Saving Prodigy!
  • announcement of longer season for SNW S3?
StillPaisleyCat ,
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Not just Bagey, not just assorted evil AI escapees from Daystrom security, but assimilated Klingons and Binars too.

Fun!

And perhaps a win for Rutherford?

StillPaisleyCat ,
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I stand corrected.

But in one image the Drookmani has an apparent implant?

NEW - Master Replicas offering XL models with Signed Plaques ( www.masterreplicas.com )

For those not subscribed to Master Replicas email notifications of releases of Eaglemoss Star Trek models, this Tuesday October 10th will be the launch of a special ‘signature’ release with plaques signed by Nana Visitor, Adam Probert, & William Shatner.

StillPaisleyCat OP ,
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Just realized that pricing is shown only in the body of the email.

Here’s a screenshot.

https://startrek.website/pictrs/image/6c69233b-0314-481a-85f9-43362a2e293c.jpeg

Thanks for asking.

StillPaisleyCat OP ,
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One of the things that I consider most important about these sales is that the discount is being borne by the retailer and the publisher.

The contracted tie-in writers still get their full (if small) payment per book. Author @DavidMack and others have confirmed this point in social media posts.

So, it’s your opportunity to get Treklit content at affordable prices while still ensuring creators are compensated.

StillPaisleyCat ,
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Be ready for mid 20th attitudes, special effects and theatrics style production…and camp.

At nearly 60 years old, TOS is actually more bearable for me again than it was watching it in the 1990s - 30 years in it seemed cringey.

But what it does have is wild and trippy Star Trek energy, the kind of vibe SNW is recapturing for modern audiences. Lower Decks too.

TNG was going for a more professional cerebral vibe, and less fun. It was a nice contrast to TOS, but it’s nice to have something new with that vibe. Voyager really leaned into the weird in its journey across the Delta Quadrant, but played it straight more often than not.

StillPaisleyCat ,
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So now I know that all those books that I gifted to our kids are becoming out of print collectors items.

Cool? Not cool?!

StillPaisleyCat ,
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Thanks for the confirmation of the Toronto as Parliament-class and the registry number.

With a more complete CGI model, I wasn’t quite sure of the class on a single watch.

StillPaisleyCat ,
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I rather like that they’re following the current Canadian naval custom of naming warships after major cities. The real life HMCS Vancouver and Toronto are currently serving Halifax-class frigates. The HMCS Toronto’s registry number is 333.

https://startrek.website/pictrs/image/14455beb-82cc-470c-a171-869e79cc2d35.jpeg

StillPaisleyCat ,
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Is there anyone else here that feels that Patrick Stewart is violating the spirit of the SAG-AFTRA strike with his book promoting interviews?

While it’s likely his publisher wanted a fall release for the Christmas gift market, it seems really inappropriate that he’s out pitching how he wanted his show to end (with his real life wife getting another voice credit) or stories about TNG behind the scenes.

SAG members have been constrained from talking about the franchise in convention panels, or promoting their new shows, but he’s out there selling his book based on his career in the IP and distracting from Lower Decks which needs all the boost it can get.

It’s not making me admire Stewart, and settled any question of buying his book for the negative.

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